Adobe After Effects 2022 review

Adobe After Effects 2022 review

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Epblogs verdict

Adobe’s After Effects is a visual effects powerhouse, offering so much versatility and options, for the budding and professional video designer. It can be an overwhelming VFX app, but there’s really very little you can’t do with it. The new additions make it an even more versatile tool.

Adobe After Effects is the grade-A, pro-level, industry-standard for visual effects software. Used by countless professional editors, artists, and compositors to bring stellar VFX to the screen. 

It’s not hard to see why it’s one of the best VFX tools on the market: After Effects is a feature-rich, intuitive special effects powerhouse. 

When we last reviewed Adobe’s video effects tool, the focus for improvement was on performance and time-saving features – something it delivered with aplomb.

A lot of new tools have been added over the last two years, and we’ll be taking a look at some of the ones that impressed us the most through the course of this review.

Apple silicon

Mac users will be delighted to find that, just like Adobe’s Premiere Pro, After Effects 2022 (version 22.3), offers native support for Apple’s new M1 family of processors.

It’s extremely reassuring for those who prefer the Mac platform, that their software of choice is migrating to the new architecture. Users will experience shorter launch times, improved UI responsiveness, and faster rendering, thanks to this support.

Perhaps one of the biggest improvements to After Effects (and Premiere Pro), is the inclusion of You need to be logged into your Creative Cloud account in order to take advantage of these features, and includes 100GB of storage in addition to your usual Creative Cloud allowance.

You’re able to share up to 5 projects with 2 users and an unlimited number of reviewers. It can be accessed from a web browser, or directly within After Effects.

There’s an enhanced version of this service (which you can try free for 30 days), called the Team Plan, which includes additional storage, and the ability to share an unlimited number of projects with up to 15 users.

As you can tell by what’s on offer, this service allows you to share projects and get real-time timecode-accurate feedback on the work in progress. This is an ideal and extremely useful tool when discussing work with colleagues and clients, and controlling exactly what and where changes should be made on a collaborative project.

Media swapping

Media replacement is another impressive new feature. The way it works is really simple: use After Effects to create a template, just as you would normally. Once done, drag various elements to the Essential Graphics panel, select their editable properties, export it, and you’re pretty much done. 

Do note however, that not all properties of an item can be manipulated and altered from Premiere Pro, but the list is large enough to satisfy most, if not all, needs.

Objects such as text, images and video clips, can be made swappable turning your templates into highly useful and versatile tools, with as numerous editing options as are required. Creating various versions (depending on your needs) is also possible, further increasing your possibilities.

This is a great way to get a designer to create a template, while allowing a Premiere Pro editor the flexibility they need to make alterations without having to contact said designer for every needed change. It’s the sort of emphasis on efficient workflows that’s bound to increase post-production productivity.

Working in 3D

Creating 3D designs can be tricky, especially when it’s all done via a 2D interface, so Adobe’s designers have worked to help ease this process.

One of the recent improvements is the inclusion of an optional 3D Ground Plane. With it activated, you’ll get a horizontal plane vanishing to infinity which can be used as a frame of reference when creating your scene. 

This is something that can be quickly toggled on or off so it never gets in the way, and is only there when you need it. The more complex a creation, the easier it is to get lost in it, so this is a most welcome addition to help you find your bearings.

Another great new feature is Draft Preview. Prior to it, you could access a ‘fast draft’ by drilling down a bunch of menus. Now, it’s a button located in the toolbar. Toggling it is highly useful if you have an older computer, or your project is getting very complex. 

Depending on the prowess of your video editing computer, and intricacy of your work, when activated, the quality will likely be reduced. But you’ll be able to manipulate objects more quickly and easily, saving you a lot of time, and going back to full quality is but a click away.

Under the hood enhancements

But it’s not all big tentpole features. After Effects has seen a lot of subtle alterations designed to improve your workflow.

For instance, a lot of work has been done to optimise the visual effects software. After Effects now takes advantage of multiple cores in your computer or video editing laptop when previewing and rendering, taking over power at the expense of other processes and other running software.

This functionality may not be on by default, but you can find it After Effects’ Preferences. You’ll also notice that you can choose just how much of your computer’s CPUs are reserved for other apps (the default is 10%).

Also, if you work with the HEVC video format, new hardware-accelerated decoding is used to improve playback and editing, especially with 10-bit files, whether you’re working on a Mac or PC.

Flexible languages

One of the great advantages of the Adobe suite is the cross pollination of features from one app to another, and this is perfectly showcased with their new Universal Text Engine. 

We raved about this feature in our Premiere Pro review. It allows you to work with multiple languages much more easily, without having to constantly travel to the preferences to switch from one to another. 

There’s support for multiple languages, the latest addition being Cantonese, with left-to-right and right-to-left settings being accessible directly from the Essential Graphics panel. You can even apply different scripts inside the same graphic element. How’s that for flexibility?

Final verdict

All this is actually just scratching the surface of what’s been improved since we last took a look at Adobe After Effects. 

AE version 22.3 is highly impressive. It builds on strong foundations, offering a wealth of new features designed to make VFX quicker and easier. It’s no wonder After Effects is seen as the go-to video compositor. 

And Adobe are far from resting on their laurels, offering new features on a regular basis, making their subscription model an attractive one indeed if you’re a professional designer and editor.

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